Oils for Art

01. Zinc white PW4	02. Titanium white PW6	03. Brilliant yellow PW6 PY3 PY42	04. Naples yellow light PW6 PY3 PY83 PY42	05. Naples yellow reddish PW6 PY3 PY83 PR254
06. Naples yellow deep PW6, PY74, PY83, PR254	07. Zinc yellow PY3	08. Yellow ultramarine PY3	09. Cadmium lemon yellow (hue) PY74	10. Cadmium yellow medium (hue) PY74 PY83
11. Cadmium yellow deep PY83	12. Cadmium orange (hue) PY83 PY74 PR254	13. Yellow ochre PW4 PW6 PY42	14. transparent gold ochre PY42 PY83 PBk11 PR254	15. Raw sienna PY42
16. Light vermilion PY42 PY3 PR254	17. Deep vermilion PR101 PR48:4 PR122 PR254	18. Scarlet vermilion PR101 PR254	19. Saturn red PO36	20. Carmine PR177
21. Pozzuoli red PR101 PR254	22. Burnt sienna PR101 PY42 PBk11	23. Magenta lake PV19	24. Alizarin madder lake PR122 PV19	25. Geranium lake PR63:1 PV19 PR122
26. Violet lake PV19 PV23	27. Mineral violet PV23	28. Royal blue PW4 PW6 PG7 PB15:3 PB29	29. Phthalo blue PB15:3	30. Coeruleum PW4 PG7 PB15:6
31. Mediterranean blue PW4, PW6, PB15:3	32. Cobalt blue pale (hue) PW4 PG7 PB29	33. Cobalt blue deep (hue) PW4, PG7 PB29, PB15:6	34. Ultramarine PB29	35. Prussian blue PB27
36. Cinnabar green light PY3 PG7 PY74	37. Cinnabar green deep PY3 PY83 PB27	38. Paolo Veronese green PW6 PG7 PY3	39. Permanent green PG7 PW4	40. Emerald green (hue) PG7
41. Hooker's green PG8	42. Golden green PY42 PY83 PG8 PBk7	43. Olive green PB27 PY42	44. Verona green earth PO36 PY42 PB27	45. Raw umber PY42 PG7 PBk7
46. Burnt umber PBk7 PY83 PR101 PBr6	47. Van Dycke brown PBk7 PY42 PR101	48. Pearl grey PW4 PW6 PY42 PBk7	49. Ivory black PBk9	50. Vine black PBk11 PBk7
51. Highlighting titanium white PW6	52. Titanium fast-drying white PW6	53. Titanium white extra concentrate PW6	54. Nickeltitanium yellow PY53	55. Gamboge (hue) PY3 PY42
56. Flesh tint light PY3 PY83 PR254 PW6 PR101	57. Flesh tint deep PW6 PY83 PR101	58. Flesh tint reddish PW6, PO36, PR101, PR254	59. Indian Yellow PY150 PY42 PO36	60. Yellow lake PR177 PY83
61. Bright Rose PV19 PW6 PW4	62. Rose dore madder lake PV19 PY74 PO3	63. Crimson lake PV19 PY74 PR48:4	64. Turquoise PW4 PW6 PG7 PB15:1	65. Periwinkle PV19 PW4 PB28
66. Paris blue PG7 PB27 PB15:3	67. Indigo PB60 PR101	68. Berlin blue PB27 PB15:3 PG7	69. Green lake deep PB27 PG8	70. Green lake light PY3 PG7
71. Sap green PB15:3 PY83 PR254	72. Bohemian green earth PY83 PG17 PBk11	73. Renesans green PY3 PG7 PY42	74. Burnt green earth PY42 PB27 PR101 PBk1	75. Chromium oxide green PG17
76. English red PR101	77. Mars brown PY3 PY42 PBk7	78. Caput mortuum PV23 PB101	79. Polish brown PR63:1 PBr6 PB28	80. Mars orange PY42
81. Stil de grain brown PY83, PR177, PBr6, PR101, PBk11	82. Munich lake PB28 PR122 PBr6	83. Sinopia PY3 PR177 PBk11	84. Transparent brown PBr6, PY150, PBk7	85. Sepia PY42 PBk7 PO36
86. Kassel earth PY3 PR122 PBk7	87. Payne's grey PB15:1 PBk7 PB29	88. Bitumen PY3 PV19 PBk7 PBk11	89. Silver Aluminium pigment	90. Gold Bronze pigment

Legend:

* Available in 500 ml pot

Opacity and glazing properties

The opacity of a pigmented colour is not only depending on the thickness of the colour application but also on the kind and concentration of the pigment as well as on the kind binder in the colour. all colours have been submitted to the same testing method: satndardized application on black and white striped saturated base. this allows a classification with the following 4 symbols:

opaque Semi-opaque Semi-transparent transparent

Lightfastness

This describes the durability of a colour in daylight. A number of influencing factors play a role too, like intensity of sunlight, temperature, moisture, oxygen or gas content of the air.

8 - Excellent 7 - Very good 6 - Good

Color Index and Pigments names

The Color Index system is an international standard to denominate dyes and pigments. A combination of letters and numbers indicate the colour category. For example: PO 20, means Pigment Orange 20. Color Index names are: PW (Pigment White) / PY (Pigment Yellow) / PO (Pigment Orange) / PR (Pigment Red) / PV (Pigment Violet) / PB (Pigment Blue) / PG (Pigment Green) / PBr (Pigment Brown) / PBk (Pigment Black).

Oils for Art

At Renesans, we believe we have a responsibility to every artist – a person that choose our paints. So we honor their choice by continually working to create the best paint possible.
We select the finest pigments and binders. Our goal is to make paints Renesans made in Poland to be synonymous with quality.

Our environmental commitment goes beyond producing solvent-free paint for artists.
Oil paints are made with pigment that is suspended in a binder. We use the finest linseed and safflower oil as a binder. These are plant-based, all natural and nontoxic.

Oils for Art are unique artist grade paints produced with a sophisticated manufacturing process to meet the highest standards. They contain the best quality of traditional artist’s pigments. Additionally, we are excited about several newly developed pigments. All of these are highly concentrated.

These formulas result in paint that is very pure with a lot of depth making them easy to mix. Oils for Art paints are unique to other paints on the market because we use the old masters’ method of combining oil with pigments that have been ‘pre-covered’ in linseed oil. Our recipe uses different varieties of linseed oil that have been purified using a highly sophisticated process. Our production of white tones uses a mixture of oils based on safflower oil from Belgium. We use very minimal amounts of other agents and additives to provide consistency and harmony in the painting and drying process as pigment and oil are not sufficient on their own.

People who have allergies or sensitivities are more likely to have reactions to the solvents and thinners that are used to dilute the paint or clean brushes, not the paint itself. We suggest in a case like this to use our Vegetable Solvent for brushes and accessories cleaning and Solvents Free Siccative Oil Medium to add flow to the paint.

The range includes 90 colours, including 2 metallic, of paints in 20, 60, and 140 ml tubes and 31 colours of paints in 500 ml cans.

Oils for Art

Videos